BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Ogunquit Performing Arts - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Ogunquit Performing Arts
X-ORIGINAL-URL:https://ogunquitperformingarts.org
X-WR-CALDESC:Events for Ogunquit Performing Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240607T193000
DTEND;TZID=America/New_York:20240607T193000
DTSTAMP:20260521T021818
CREATED:20240516T155202Z
LAST-MODIFIED:20240517T132248Z
UID:10000207-1717788600-1717788600@ogunquitperformingarts.org
SUMMARY:28th Annual Chamber Festival: Boston Chamber Music String Trio
DESCRIPTION:ONLINE TICKETS\n			\n				\n				\n				\n				\n				Boston Chamber Music returns to OgunquitCelebrating the Music of \nSchubert\, String Trio in B-Flat MajorMozart\, Divertimento in E-Flat Major andBeethoven\, String Trio in G-Major \n			\n				\n				\n				\n				\n				After several months of uncertainty over the use of the Dunaway auditorium\, OPA is delighted to be able to return to the Dunaway Center venue for this year’s Chamber Festival.Since its inception\, the Chamber Music Festival has always been a very special occasion for OPA\, and in recent years\, has been an on-going partnership with Boston Chamber Music. For more than two decades\, the Boston-based players have put together a special ensemble for the Ogunquit Festival\, unique to OPA. This year’s programming explores accessible\, but lesser-known and powerful music from the Viennese School of Classical and Romantic eras. \nThis year’s Boston Chamber musical artists will include: \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Omar Chen Guey\, Violinist \nMr. Guey has performed as soloist\, in recitals and chamber concerts throughout his native Brazil\, the US\, Europe\, Asia and Africa. He has been a soloist with the Brazilian\, Campinas\, Goiania\, Mias Gerais\, Claudio Santoro National Theatre\, Sao Paulo University\, San Paulo Municipal\, State of San Paulo Symphony Orchestras\, Qatar Philharmonic\, Manhattan School of Music\, Stonu Brook University Symphony\, Maidstone Symphony and the Seychelles International Music Festival Orchestras. \nIn 2023\, he performed the Vivaldi Four Seasons with the Fribourg Youth Orchestra in Switzerland\, having previously performed the Britten Violin Concerto with them. He is a prizewinner at both Tibor Varga and Lipizer International Violin Competitions. \nHe is on the faculty of Dartmouth College. He is the assistant concertmaster of the Rhode Island Philharmonic\, a member of the Boston Ballet and the New England Camerata Trio. He’s been a guest artist with Radius Ensemble\, Boston Symphony Orchestra Chamber Players\, Worcester Chamber Music Society\, Walden Chamber Players and the Monadnock Music Festival. Mr. Guey’s premiere of the Violin Concerto by Jean-Charles Gandrille with the Qatar Philharmonic was released on the French recording label Paraty. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Peter Sulski\, Violist \nMr. Sulski was a member of the London Symphony Orchestra for seven years. While in England\, he served on the faculty of the Royal College of Music and Trinity College of Music and Drama\, as well as serving as Artistic Director of Chapel Royal Concerts which he founded in 1993. For seven years he gave the annual Viola Masterclass along with many solo recitals and chamber music concerts at the Dartington International Summer School. He made his Carnegie Hall Debut in 1999\, and his first London South Bank appearance in 2001. \nAfter a brief stint in the Middle East as Head of Strings of the National Palestinian Conservatory\, Bicommunal Coordinator for chamber music for the Cyprus Fulbright Commission and Principal Violist of the Cyprus Chamber Orchestra\, in 2002\, he returned with his wife Anita to his native Worcester where he is currently on the faculty of Clark University and College of the Holy Cross as teacher of violin/viola/chamber music. He is a member of QX and Mistral. Peter is also Artistic Director of the Thayer Festival in Lancaster\, MA and records for Centaur Records. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Brent Selby\, Cellist \nA cellist and teacher\, Mr. Selby is from the small town of Bath\, North Carolina\, where he was raised on a farm. Up until age eleven he thought he would end up farming crops like his father\, but after seeing Yo-Yo Ma perform on PBS he decided he was interested in music and learning to play the cello. Luckily\, Doris Hamilton\, a retired violinist\, had recently moved to the area and agreed to teach him until she could find him a proper cello teacher. He eventually went on to study with Wendy Bissinger and then at 17\, he studied with Emanuel Gruber\, Cello faculty at East Carolina University. \nMr. Selby earned his bachelor’s degree from the New England Conservatory studying with Natasha Brofsky and then went on to study privately with violinist\, Mela Tenenbaum. In addition to performing with various local ensembles\, he began teaching cello for Lifelong Music Academy in Franklin\, MA where he has now been teaching for over a decade. Mr. Selby is passionate about providing quality music instruction for children as much as he loves performing. In 2018\, Mr. Selby joined the Rhode Island Philharmonic’s cello section\, and in 2021 he was appointed assistant principal cellist of the Portland Symphony Orchestra. In 2022\, Mr. Selby was appointed principal cellist of the Rhode Island Philharmonic\, and in 2024 he was appointed principal cellist of the Boston Lyric Opera. Although he never took up farming\, his wife Jackie\, also a cellist\, often ropes him into weeding her ever expanding garden! \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Featured composers for this year’s Chamber Music Festival include three of the most prodigious composers of the Classical and Romantic eras\, performing and composing across virtually every musical genre. All were child prodigies\, as both composers and musicians and all were thought to have crossed paths as adults in Vienna and to have influenced one another’s music. \nFranz Schubert (1797-1828) Austrian composer\, born in Vienna\, he was considered the last of the Classical composers\, and one of the first of the Romantic era\, his music bridged both worlds. When he died at 31 years of age\, he left a vast body of over 1500 works: more than 600 secular vocal works\, complete symphonies\, sacred music\, operas\, as well as a large body of piano sonatas and chamber music. His influence on later composers extends into the modern era\, including harmonies used by the Beatles. Schubert’s gift for creating beautiful melodies remains almost unsurpassed in music history. Growing up in an everchanging political landscape (during his childhood\, Vienna was essentially a police state) had a profound influence on his work. \nLudwig Van Beethoven (1770-1827) German composer and pianist\, his works are among the most performed classical music\, and spans the transition from the Classical period to the Romantic era. One of the most revered figures in the history of Western music\, he ranks among the most performed of the classical music repertoire. Displaying his musical talent at a young age\, he moved to Vienna at age 21 and studied composition with Haydn. He gained a reputation as a virtuoso pianist. He composed his first works for patrons at the age of 25. His first major orchestral work and first set of string quartets were published in the early 1800s. Almost completely deaf by 1814\, he composed most of his most admired works during the time of increasing hearing loss. Written in his last years\, his late string quartets are among his finest achievements. \nWolfgang Mozart (1756- 1791) Austrian composer widely considered one of the greatest composers in the history of Western classical music. He composed more than 800 works in almost every Western classical genre of his time: symphonic\, concertante\, chamber\, operatic and choral repertoire. The forms were not new\, but Mozart advanced their technical sophistication and emotional reach. Beethoven (some 15 years younger) was deeply influenced by his work. Like his fellow composers and musicians of this period\, he was a child prodigy\, at the age of 5\, he was already competent on keyboard and violin and had begun composing and performing at court at the age of 6. He was becoming familiar with other musicians and composers\, and at age 8\, visited Johann Bach\, who became a significant influence. It was then that he wrote his first symphony\, which he played and was most likely transcribed by his father. He became friends with Haydn who declared to Mozart’s father: “Your son is the greatest composer known to me by person and repute; he has taste and what is more\, the greatest skill in composition.” Most of his best known symphonies\, piano concertos and operas were created in the final decade of his life. The last year of his life was a time of high productivity when he composed some of his most admired works: The Magic Flute (opera)\, the last in his series of string quartets\, final piano concerto\, and the unfinished Requiem.
URL:https://ogunquitperformingarts.org/event/28th-annual-chamber-festival-boston-chamber-music-string-trio/
LOCATION:S. Judson Dunaway Center\, 23 School Street Ogunquit\, ME 03907 United States
CATEGORIES:Live Performance,Ogunquit Chamber Music Festival
ATTACH;FMTTYPE=image/jpeg:https://ogunquitperformingarts.org/wp-content/uploads/2024/05/cellist.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230609T193000
DTEND;TZID=America/New_York:20230609T193000
DTSTAMP:20260521T021818
CREATED:20230511T203529Z
LAST-MODIFIED:20240219T150756Z
UID:10000190-1686339000-1686339000@ogunquitperformingarts.org
SUMMARY:27th Annual Chamber Music Festival: The New Hampshire Trio
DESCRIPTION:Ogunquit Performing Arts continues its 27th Chamber Music Festival with a performance by The New Hampshire Trio.  Bringing together three extraordinary musicians\, the Trio was recently founded in 2021\, and is the resident faculty chamber ensemble at the University of New Hampshire in Durham. \n			\n				\n				\n				\n				\n				The Piano Trio will play: \nRACHMANINOFF Trio Elégiaque No. 1 in G minor \nCHARLES IVES Trio for Violin\, Cello and Piano \nAMY BEACH Piano Trio in A minor\, Op. 150 \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Karl Orvik\, violin\, has been featured in solo and chamber recitals throughout the United States\, as well as in Canada\, Norway and South Korea. An enthusiastic chamber musician\, he is the founding violinist of Trio Klaritas\, which has appeared on concert series in Boston\, New York City\, Los Angeles\, and at the Tanglewood Music Center\, as well as in a 2010 concert tour of South Korea. Most recently\, the trio made their Carnegie Hall debut in 2018 performing a program of works by living composers. Dr. Ørvik also concertizes frequently with Stonehill College’s resident faculty ensemble\, the Stonehill Trio\, and has appeared in multiple recordings and live radio broadcasts as a member of many other ensembles. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Jacques Lee Wood\, cello\, is an avid chamber musician and orchestral musician\, a member of the Pedroia String Quartet and recently appointed principal cello of the Cape Symphony. He is a frequent guest artist with A Far Cry\, House of Time\, Yale Schola Cantorum\, Trinity Baroque Orchestra\, Bachsolisten Seoul\, Bach Collegium Japan\, Juilliard 415\, Firebird Ensemble\, and the Handel and Haydn Society. A recognized pedagogue\, Wood is an Artist-in-Residence at the University of New Hampshire and holds faculty positions at Boston Youth Symphony Orchestra (Intensive Community Program) and Milton Academy. He has held residencies at Yale University\, University of Ulsan\, Tufts University\, and the Boston Conservatory. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Mathilde Handelsman\, piano\, is a concert pianist\, poet\, and educator from Paris\, France.  She is recognized as an imaginative and unusual performer with refined interpretations\, for her “calm technical mastery\, immediate understanding of balance” as well as “extraordinary vigor\, flawless musicality\,” (Dernieres Nouvelles d’Alsace). \nSpanning the repertoire across Europe and the United States\, Handelsman’s career as a soloist and collaborative musician has led her to perform under conductors such as Seiji Ozawa\, Thomas Adès\, Stefan Asbury\, and Luigi Gaggero. Highlights from recent and current seasons include chamber performances alongside Yo-Yo Ma\, Nicolas Namoradze\, and Stephen Drury at the Tanglewood Music Festival\, as well as a solo debut at Carnegie Hall in May 2022.
URL:https://ogunquitperformingarts.org/event/27th-annual-chamber-music-festival-the-new-hampshire-trio/
LOCATION:S. Judson Dunaway Center\, 23 School Street Ogunquit\, ME 03907 United States
CATEGORIES:Live Performance,Ogunquit Chamber Music Festival
ATTACH;FMTTYPE=image/jpeg:https://ogunquitperformingarts.org/wp-content/uploads/2023/05/NEW-HAMPSHIRE-TRIO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230602T193000
DTEND;TZID=America/New_York:20230602T193000
DTSTAMP:20260521T021818
CREATED:20230511T200317Z
LAST-MODIFIED:20240219T150756Z
UID:10000189-1685734200-1685734200@ogunquitperformingarts.org
SUMMARY:27th Annual Chamber Music Festival: Boston Chamber Music Piano Quartet
DESCRIPTION:Ogunquit Performing Arts opens its 27th Chamber Music Festival with a concert  by Boston Chamber Music\,  now directed by pianist Randall Hodgkinson.  \nThe concert will celebrate the life and music of BCM’s late director and master cellist Bruce Coppock\, who every year put together a special ensemble for the Ogunquit concerts\, unique to OPA. \n			\n				\n				\n				\n				\n				The Piano Quartet will play: \nMOZART Quartet in Eb\, K.493 \nMEL BONIS Sonata pour Piano et Violoncelle \nFAURÉ Quatour in c\, opus 15 \n			\n				\n				\n				\n				\n				The players will include:\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Omar Chen Guey\, violin\,  a Brazilian violinist who has been a soloist with the Brazilian\, Campinas\, Goiania\, Minas Gerais\, Claudio Santoro National Theater\, Sao Paulo University\, Sao Paulo Municipal\, State of Sao Paulo Symphony Orchestras\, the Amazonas Philharmonic\, Petrobras Pro-Musica\, Experimental Repertoire\, Manhattan School of Music\, Stony Brook University Symphony\, Maidstone Symphony\, Qatar Philharmonic and the Seychelles International Music Festival Orchestras. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Peter Sulski\, viola\, has performed in over 30 countries as a member of the Apple Hill Chamber Players\, London Symphony Orchestra\, Academy of St.-Martin-in-the-Fields\, Cyprus Chamber Orchestra\, and Al Kamandjati Baroque Ensemble (Palestine). He returned to his native Worcester in 2002\, after holding  the position of Head of Strings of the Edward Said National Palestinian Conservatory. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				David Russell\, cello\, was hailed as a “superb cellist” in the Boston Globe\, and maintains a vigorous schedule both as soloist and as collaborator in the U.S. and Europe. He was appointed to the teaching faculty of Wellesley College in 2005 and currently serves as Director of Chamber Music. He is a regular performer with several Boston-area ensembles such as Emmanuel Music and Cantata Singers and Ensemble and served as Principal Cello with Opera Boston from 2005-2011. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Randall Hodgkinson\, piano\, won the International American Music Competition in 1981 and his October 1986 formal New York recital debut at Alice Tully Hall under the competition’s auspices was greeted with critical acclaim. Mr. Hodgkinson has\, in recent years\, performed with orchestras including those of Philadelphia\, Atlanta\, Albany\, Buffalo\, Westchester\, Oakland\, and Caramoor and has collaborated with such conductors as Leonard Bernstein and Gunther Schuller. 1985 saw his European orchestral debut with the Santa Cecilia Orchestra of Rome. He is a featured artist on the Bosendorfer Concert Series aired over WNYC – FM in New York City and has recorded for the Nonesuch\, CRI and New World labels. Mr Hodgkinson studied with Veronica Jochum\, Russell Sherman and Leonard Shure at the New England Conservatory of Muisc where he now serves on the faculty. He is a member of the Gramercy Trio. Hodgkinson is a certified Feldenkrais® practitioner. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Bruce Coppock enjoyed a career as a cellist\, teacher and arts executive for over 40 years.  He was cellist\, co-founder and executive director of the Boston Chamber Music Society; principal cellist of the Handel & Haydn Society; cellist of the Boston Musica Viva.  He was Chair of the Music Division of the Boston Conservatory and subsequently chair of both the chamber music and orchestral studies departments at New England Conservatory.  Since returning to the Boston area in 2016\, he re-joined the faculty of the Longy School of Music\, was Chair of the Chamber Music Department at the Rivers School Conservatory and a member of the Boston Philharmonic Orchestra. \nMr. Coppock died November 21\, 2022 at the age of 71.
URL:https://ogunquitperformingarts.org/event/27th-annual-chamber-music-festival-boston-chamber-music-piano-quartet/
LOCATION:S. Judson Dunaway Center\, 23 School Street Ogunquit\, ME 03907 United States
CATEGORIES:Live Performance,Ogunquit Chamber Music Festival
ATTACH;FMTTYPE=image/jpeg:https://ogunquitperformingarts.org/wp-content/uploads/2021/06/hodgkinson.jpg
END:VEVENT
END:VCALENDAR